Dont Be a Menace to South Central While Drinking Your Juice in the Hood

The latest product of the prolific Wayans family, "Don't Be a Menace to South Central While Drinking Your Juice in the Hood" is much like its marquee-buster of a title: full of very obvious spoofery, and funnier in concept than in execution. Coming rather late on the heels of the movies it sends up, pic

The latest product of the prolific Wayans family, "Don't Be a Menace to South Central While Drinking Your Juice in the Hood" is much like its marquee-buster of a title: full of very obvious spoofery, and funnier in concept than in execution. Coming rather late on the heels of the movies it sends up, pic bodes to do little more than score a quick drive-by on urban auds.

The latest product of the prolific Wayans family, “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood” is much like its marquee-buster of a title: full of very obvious spoofery, and funnier in concept than in execution. Coming rather late on the heels of the movies it sends up, pic bodes to do little more than score a quick drive-by on urban auds.

Though spirited and hilarious in odd moments, “Don’t Be a Menace” hardly expands on “In Living Color” and other Wayans precedents, and compared with a genuinely satiric film like Rusty Cundieff’s “Fear of a Black Hat,” it’s simple parody, with little in the way of ironic commentary or real invention.

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While the targeted filmmakers are the expected crew of top-rank black auteurs , the most frequently lampooned is John Singleton, whose “Boyz N the Hood” provides the prototype for this tale’s fond mockery. Much like “Boyz’ ” hero, Ashtray (Shawn Wayans) is a South Central Candide, sent to live with his father; unlike the father of “Boyz,” Ashtray’s turns out to be only a couple of years older than he is and such a model of irresponsibility that he sings the praises of drunken driving and unsafe sex.

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Seeking guidance, Ashtray turns to his cousin, “America’s worst nightmare.” Loc Dog (Marlon Wayans) carries a whole arsenal of Uzis and the like, all color-coordinated with his sneakers, and also keeps a Russian nuclear warhead nearby, just in case. The cousin’s posse includes Preach (Chris Spencer), an Afrocentrist with a yen for white women, and Crazy Legs (Suli McCullough), an aspiring dancer confined to a wheelchair by a drive-by shooting.

Romantically naive, Ashtray soon loses his virginity to the lovely, poetry-writing Dashiki (Tracey Cherelle Jones), whose name supposedly is Swahili for “doggy style.” Popular with the men, Dashiki, it is said, “has more children than Mrs. Wayans.”

Actually, Dashiki has seven kids, while the Wayans brothers who write and star here are children Nos. 9 and 10 in their family. It’s obviously a talented clan, and with their good looks and appealing screen presences, Shawn and Marlon won’t be embarrassed by comparisons to their better-known siblings. Still, they might consider more original avenues of expression, because “Don’t Be a Menace” ends up feeling as thoroughly past-tense as the movies it goofs on, movies that at least seemed fresh on original release.

Pic benefits most from its genial, capable cast. Musicvid-maker Paris Barclay’s direction is little more than serviceable, while tech credits average out at so-so.

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Don’t Be a Menace to South Central While Drinking Your Juice in the Hood

  • Production: A Miramax release of an Island Pictures presentation of an Ivory Way production. Produced by Keenen Ivory Wayans, Eric L. Gold. Executive producers, Mark Burg, Dan Genetti. Co-executive producers, Shawn Wayans, Marlon Wayans. Co-producer, Carrie Morrow. Directed by Paris Barclay. Screenplay, Shawn Wayans, Marlon Wayans, Phil Beauman.
  • Crew: Camera (Deluxe color), Russ Brandt; editor, William Young, Marshall Harvey; music, John Barnes; production design, Aaron Osborne; art direction, Reiko Kobayashi; costumes, Valari Adams; sound (Dolby), Dave Eichhorn; soundtrack executive producer, Hiriam Hicks; associate producer, Cristal Rivera-Mitchell; assistant directors, Frank Davis, Steve Tramz; second-unit director, Jim Goldthwait; casting, Robi Reed-Humes, Tony Lee, Andrea Reed. Reviewed at Guild Embassy 1 Theater, N.Y., Jan. 12, 1995. MPAA Rating: R. Running time: 88 min.
  • With: Ashtray - Shawn Wayans Loc Dog - Marlon Wayans Dashiki - Tracey Cherelle Jones Preach - Chris Spencer Crazy Legs - Suli McCullough Toothpick - Darrell Heath Grandma - Helen Martin Doo Rag - Isaiah Barnes Ashtray's Father - Lahmard Tate Mailman - Keenen Ivory Wayans

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